How Many Ways Are There To Facilitate A Portrait With
How Many Ways Are There To Facilitate A Portrait With One Light?
Lighting is one of the most important and least appreciated in making a good portrait photography. Without proper lighting of the picture may look soft and details may be lost in the shadows and lights. Use good lighting is not synonymous with expensive hardware. A light source can be used in different ways to create entirely different effects and produce great portraits.
Portrait photography? No problem, find a pretty girl, buy a flash, a photo and voila, you have a portrait. But is it good?
What makes the difference. Well, a lot of things to make, model, background, causes, camera mode, camera, lens and light. But off the light and have no
So what is it light?
There are: hard and soft, light and dark, large and small, white, and white (yes white and white) and white and color, direct and thoughtful, fast and slow, front and side and rear, high-key and low, and last but not least, invisible
Slightly: The truth is that there is usually a light, because where light is reflected generally light.You can use this option when using reflected light or insert gobo (black are among the tables or flags) to stop it. You can increase the light reflected by the use of reflectors, shirts and faces, or sweet white boards.Hard: only the difference between light on a sunny day and cloudy day. Hard Light gives well-defined dark shadows. Soft light comes from different places.Bright Sun: A glimmer of us can do to look like daylight, just leave the shutter open longer. So in this sense there is no such thing as a bright light or dark. This is defined by the configuration of the camera. The camera can be the brightest scenes, as it was taken during an eclipse
Young and old: The sun is the greatest light that we can use, but it is called a little light because it is so far away. But to the clouds between us and the sun, and it becomes the greater light, we can use.
Soft lights and tower lights small boxes are often large 2-3 feet wide. The alternatives are to shoot through or bounce off a white sheet on the wall. An umbrella can get a similar effect as the light propagates in all directions and the reflected light can soften the shadows.
Black and white: for the human eye, white is white, because the eyes constantly adjust and interpret what he sees. The cameras are not capable of doing the same extent. Collect the different sheets of white paper and look closely - you will probably find a wide range of whites. The changes are similar to light. We appeal to all white (no color), but they are colored or colored in a small way.
Different lights produce different shades - to give a green fluorescent light bulb to give the orange color, the flash will fire weapons, and usually is not the color, so watch the white eyes white, but some people seem colored camera.
White and colored: the interior photos with flash and incandescent lamps to give a mixture of white and orange.
I took a photo outside during the day with one day deeply covered. I have a couple of flashguns orange gel and matte photos shot a picture, which appeared late in the evening was a beautiful warm light.
Placing colored gels over the flash unit for the color of the light and produces different effects. Quality Street sweet wrappers are famous for offering a different color, which can be used for different effects.
Direct and reflected, the light is a direct source of light, and usually have a noticeable effect. Light reflected from the rest comes from the surface, which is not completely black. A wall of color to give light shade. Glossy finish provides a hard strong light. Textured surface to provide a soft gleam.
The distance from the source to the reflecting surface and then to the subject, compared to the distance from the light source on the subject, will greatly affect the strength of the reflected light.
Fast and Slow: What I'm really referring to the duration of light, ie how long the light shines when you take the picture.
Daylight shines 100% of the time the shutter is open, and can shine a flash for 1% of the time. In most cases, even, you get a combination of two lamps, a bright 100% and the other a fraction of the time.
Front, side and rear: Select the location of the main light. Each position will create a very different all lit up with a silhouette. The reflected light can be used to fill the shadows.
High and Low Key: This is where the tone of the picture are mostly dark or bright. Details on the subject are burned or deep shade. Often comes in the shape of the contour of the object. This is done under or over expose the subject.
Invisible infrared is not visible to the naked eye, but the filters can be attached to a camera that allows light to be collected on the sensor or film. This can give a surreal effect. Different surfaces reflect different amounts of infrared.
Therefore, we have a flash, the fast pace of changing a single light. A version of this article and others can be found at: Blog of John in "Light One"
This is just a light, think of variations of two or more lights.
Visit the site to see some of these effects in practice Galleries. Learn how to make your photos a single light. Explore, discover and understand.
Pictures/SnapShot :
Lighting is one of the most important and least appreciated in making a good portrait photography. Without proper lighting of the picture may look soft and details may be lost in the shadows and lights. Use good lighting is not synonymous with expensive hardware. A light source can be used in different ways to create entirely different effects and produce great portraits.
Portrait photography? No problem, find a pretty girl, buy a flash, a photo and voila, you have a portrait. But is it good?
What makes the difference. Well, a lot of things to make, model, background, causes, camera mode, camera, lens and light. But off the light and have no
So what is it light?
There are: hard and soft, light and dark, large and small, white, and white (yes white and white) and white and color, direct and thoughtful, fast and slow, front and side and rear, high-key and low, and last but not least, invisible
Slightly: The truth is that there is usually a light, because where light is reflected generally light.You can use this option when using reflected light or insert gobo (black are among the tables or flags) to stop it. You can increase the light reflected by the use of reflectors, shirts and faces, or sweet white boards.Hard: only the difference between light on a sunny day and cloudy day. Hard Light gives well-defined dark shadows. Soft light comes from different places.Bright Sun: A glimmer of us can do to look like daylight, just leave the shutter open longer. So in this sense there is no such thing as a bright light or dark. This is defined by the configuration of the camera. The camera can be the brightest scenes, as it was taken during an eclipse
Young and old: The sun is the greatest light that we can use, but it is called a little light because it is so far away. But to the clouds between us and the sun, and it becomes the greater light, we can use.
Soft lights and tower lights small boxes are often large 2-3 feet wide. The alternatives are to shoot through or bounce off a white sheet on the wall. An umbrella can get a similar effect as the light propagates in all directions and the reflected light can soften the shadows.
Black and white: for the human eye, white is white, because the eyes constantly adjust and interpret what he sees. The cameras are not capable of doing the same extent. Collect the different sheets of white paper and look closely - you will probably find a wide range of whites. The changes are similar to light. We appeal to all white (no color), but they are colored or colored in a small way.
Different lights produce different shades - to give a green fluorescent light bulb to give the orange color, the flash will fire weapons, and usually is not the color, so watch the white eyes white, but some people seem colored camera.
White and colored: the interior photos with flash and incandescent lamps to give a mixture of white and orange.
I took a photo outside during the day with one day deeply covered. I have a couple of flashguns orange gel and matte photos shot a picture, which appeared late in the evening was a beautiful warm light.
Placing colored gels over the flash unit for the color of the light and produces different effects. Quality Street sweet wrappers are famous for offering a different color, which can be used for different effects.
Direct and reflected, the light is a direct source of light, and usually have a noticeable effect. Light reflected from the rest comes from the surface, which is not completely black. A wall of color to give light shade. Glossy finish provides a hard strong light. Textured surface to provide a soft gleam.
The distance from the source to the reflecting surface and then to the subject, compared to the distance from the light source on the subject, will greatly affect the strength of the reflected light.
Fast and Slow: What I'm really referring to the duration of light, ie how long the light shines when you take the picture.
Daylight shines 100% of the time the shutter is open, and can shine a flash for 1% of the time. In most cases, even, you get a combination of two lamps, a bright 100% and the other a fraction of the time.
Front, side and rear: Select the location of the main light. Each position will create a very different all lit up with a silhouette. The reflected light can be used to fill the shadows.
High and Low Key: This is where the tone of the picture are mostly dark or bright. Details on the subject are burned or deep shade. Often comes in the shape of the contour of the object. This is done under or over expose the subject.
Invisible infrared is not visible to the naked eye, but the filters can be attached to a camera that allows light to be collected on the sensor or film. This can give a surreal effect. Different surfaces reflect different amounts of infrared.
Therefore, we have a flash, the fast pace of changing a single light. A version of this article and others can be found at: Blog of John in "Light One"
This is just a light, think of variations of two or more lights.
Visit the site to see some of these effects in practice Galleries. Learn how to make your photos a single light. Explore, discover and understand.
Pictures/SnapShot :
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